At The Movies

The Salt Path is the story of real-life couple Raynor and Moth Winn who set out to walk the gruelling track around Devon and Cornwall after they lose everything in a bad investment. Based on Raynor’s best-selling book, it stars Jason Isaacs (the last series of White Lotus) and Gillian Anderson (Sex Education).

La Cocina is one day in the life of popular restaurant The Grill. Although it’s set in New York, it’s based on a 1961 English play and it’s written and directed by Mexican Alonso Ruizpalacios. Stars Raúl Briones and Rooney Mara (The Girl with the Dragon Tattoo).

Mission Impossible: The Final Reckoning seems to imply this is Tom Cruise’s last hurrah in the franchise. Though never say “final”. This features old hands Ving Rhames and Simon Pegg, newer hands Hayley Atwell and Pom Klementieff and very old hand Rolf Saxon, last seen in the very first Mission Impossible.

Simon Morris tests the two methods of movie financing – betting a few dollars on small films like Mexican art-film La Cocina and English real-life memoir The Salt Path… or taking a huge plunge on a blockbuster like Mission Impossible: The Final Reckoning.

The Wedding Banquet is a remake of the 1993 crowd-pleaser, written and directed by Ang Lee. This one stars Bowen Yang (Saturday Night Live), Kelly Marie Tran (Star Wars), Lily Gladstone (Killers of the Flower Moon) and Joan Chen (Twin Peaks).

Lies We Tell tells the story of an heiress whose shady uncle plans to get hold of her fortune by forcing her to marry his son. It was a big winner at the Irish Film Awards, including best actress for star Agnes O’Casey (Small Things Like These).

Fergus Grady, Director of the French Film Festival Aotearoa, previews this year’s programme – a star-studded affair featuring Sarah Bernhardt, Charles Aznavour, Marie Antoinette, the Count of Monte Cristo, Laure Calamy, two films about art thieves and the story behind Ravel’s “Bolero”!

Simon Morris checks out two films based on well-known material - just not well-known by him! Irish film Lies We Tell is a 19th century thriller, The Wedding Banquet is a remake of one of Ang Lee’s first films. He also previews the upcoming French Film Festival Aotearoa.

The Accountant 2 sees the return of Ben Affleck as the eccentric, former criminal accountant who sets out to avenge the murder of his best friend. Also stars Jon Bernthal (The Amateur) and Cynthia Addai-Robinson (Lord of the Rings: Rings of Power). Directed by Gavin O’Connor (Mare of Easttown).

Marlon Williams: Ngā Ao E Rua (Two Worlds) is a documentary about the Kiwi alt-country star and his journey to make his first album entirely in te reo. Spoiler alert: that album went on to top the New Zealand charts first week out.

Thunderbolts* are the B-Team you summon when Marvel superstars The Avengers are unavailable. Ironically, or not, it’s proving a big hit after a few Marvel misfires. Starring Florence Pugh (Oppenheimer), Sebastian Stan (The Apprentice) and Julia Louis-Dreyfus (Seinfeld).

Simon Morris has one of those weeks where you need to do your own research. Looking up the minor villains that make up Thunderbolts*…. Brushing up his knowledge of Kiwi household name Marlon Williams…. And struggling to remember an eight-year-old thriller about an autistic accountant.

Simon Morris goes off the beaten track this week, including two features found on streaming services – Netflix’s Havoc and Prime Video’s My Old Ass. He also finds a surprising number of self-funded New Zealand movies this month, including romantic comedy The People We Love. He talks to director Mike Smith about the pros and cons of independence.

Independent film The People We Love is that very rare thing, a Kiwi romance. Writer-director Mike Smith (TV’s My Life Is Murder and Siege) wonders we’re so reluctant to make such a popular genre, and how to negotiate the perils of the indie film-maker. The People We Love stars Neill Rea (Brokenwood Mysteries) and Alison Bruce (Tinā).

Prime Video’s My Old Ass and Netflix’s Havoc have one thing in common – neither was exactly what their trailers promised. The first promises more of TV favourite Aubrey Plaza (White Lotus) than it delivers, while the latter offers rather more Tom Hardy (Venom) than anyone asked for.