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Resound
Major New Zealand works are unlocked from the RNZ Concert archive and given a new life on-air and online. In partnership with SOUNZ and NZOA.
Navigation for Resound
Latest audio
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Michael NORRIS: Chrysalis
1 Jan 1996A work which explores the interaction between live flute and electronic sounds. Written for and played by Dana Parkhill. Audio
This audio is not downloadable due to copyright restrictions.
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This audio is not downloadable due to copyright restrictions.
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This audio is not downloadable due to copyright restrictions.
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Philip NORMAN: Tense Melodies
17 Sep 1995Performed by Carol Hohauser (flute) and Matthew Marshall (guitar). Audio
This audio is not downloadable due to copyright restrictions.
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This audio is not downloadable due to copyright restrictions.
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Peter SCHOLES: Sonata for flute and piano
23 Apr 1995Performed by Amanda Hollins (flute) and Richard Mapp (piano). Audio
This audio is not downloadable due to copyright restrictions.
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David HAMILTON: Three Spirituals
1 Mar 1995Performed by the Orlando Singers, conductor Anita Banbury. Audio
This audio is not downloadable due to copyright restrictions.
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David HAMILTON: Song for a Spring Morning
1 Jan 1995Text by James K Baxter. Performed by the Opus Choir. Audio
This audio is not downloadable due to copyright restrictions.
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Patrick SHEPHERD: Glittering Fragments
1 Jan 1995Performed by the New Zealand String Quartet. Audio
This audio is not downloadable due to copyright restrictions.
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Nigel KEAY: Fanfare for Orchestra
1 Jan 1995Performed by the Auckland Philharmonia Orchestra conducted Edvard Tchivzhel. Audio
This audio is not downloadable due to copyright restrictions.
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This audio is not downloadable due to copyright restrictions.
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This audio is not downloadable due to copyright restrictions.
Resound
Resound is a venture between RNZ Concert and SOUNZ, the Centre for New Zealand Music, funded by NZ On Air, to unlock rare recordings of significant compositions by New Zealand composers from our archive.
Background
Recordings date back as far as fifty years ago, with works that were played on air with a license for two broadcasts. The re-licensing efforts of the Resound project have secured permissions from composers and performers to allow listeners to enjoy these important historic recordings once again.
Over the last few years our New Zealand recordings have been gradually transferred into digital formats, so that we can re-broadcast select works and also offer them to listeners on our website.