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Resound
Major New Zealand works are unlocked from the RNZ Concert archive and given a new life on-air and online. In partnership with SOUNZ and NZOA.
Navigation for Resound
Latest audio
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Nigel KEAY: Concerto for Viola and Orchestra
1 Jan 2001Performed by Frank Chevalier (viola), New Zealand Chamber Orchestra conducted by Marc Taddei. Audio
This audio is not downloadable due to copyright restrictions.
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This audio is not downloadable due to copyright restrictions.
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Anthony RITCHIE: Ahua
4 Nov 2000Libretto by Keri Hulme with 'Whakawatea' composed by Te Ari, whose group provided the karanga, whakawatea and whakapapa chants. Performed by Dorothee Jansen, Carmel Carroll, David Hamilton, Hamish… Read more Audio
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Eve de CASTRO-ROBINSON: efflux (1985)
26 Mar 2000Performed by Richard Liu and Warwick Crawford (piano). Audio
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Penny AXTENS: Part the Second
1 Jan 2000The New Zealand Symphony Orchestra, conducted by James Judd. Audio
This audio is not downloadable due to copyright restrictions.
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Ross CAREY: Commentary On 'La Lugubre Gondola' by Franz Liszt
1 Jan 2000Performed by Dan Poynton (piano). Audio
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Edwin CARR: El Tango
1 Jan 2000Performed by the Auckland Philharmonia Orchestra, conducted by Miguel Harth Bedoya. Audio
This audio is not downloadable due to copyright restrictions.
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James GARDNER: Some Other Plots for Babel
1 Jan 2000Violin Concerto for ensemble. Performed by 175 East and Hamish McKeich. Audio
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Pepe BECKER: Cancer
1 Jan 2000For soprano, alto, tenor and thumb piano. Performed by Baroque Voices. Audio
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Paul BOOTH: Impossible Colour
1 Jan 2000Performed by Stroma, at the Ilott Concert Chamber, Wellington. Audio
This audio is not downloadable due to copyright restrictions.
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Philip BROWNLEE: Tendril and Nebula
1 Jan 2000For B flat clarinet, bass clarinet, bass trombone, percussion, cello and contrabass. Audio
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Resound
Resound is a venture between RNZ Concert and SOUNZ, the Centre for New Zealand Music, funded by NZ On Air, to unlock rare recordings of significant compositions by New Zealand composers from our archive.
Background
Recordings date back as far as fifty years ago, with works that were played on air with a license for two broadcasts. The re-licensing efforts of the Resound project have secured permissions from composers and performers to allow listeners to enjoy these important historic recordings once again.
Over the last few years our New Zealand recordings have been gradually transferred into digital formats, so that we can re-broadcast select works and also offer them to listeners on our website.