1 Oct 2018

SOUNZ Contemporary Award finalist Rosie Langabeer’s exploration of the subconscious mind

From Upbeat, 1:00 pm on 1 October 2018

The exploration of the subconscious mind is the inspiration behind Rosie Langabeer’s composition Occulmente, which is a finalist for the SOUNZ Contemporary Award at this year's Silver Scroll songwriting awards.

Rosie Langabeer

Rosie Langabeer Photo: Supplied

Langabeer invented the title Occulmente, drawn from the Latin word “occulo” meaning hide, and the Spanish noun “mente” meaning mind.

 “[The word] just came out of my head,” Langabeer says. “All the music… I imagine it in my head and then put it into the computer programme.”

For her composition is about capturing the magic of music. “[this is] exploring the subconscious mind… a spell. Music [is] a certain combination of sounds used to cast a spell.”

Karyn Hay is hosting live coverage of The APRA Silver Scroll Award on 101 FM RNZ National from 9pm on Thursday 4th October.

Follow our online coverage, including live video of the awards, here on the RNZ website, and follow RNZ Music on FacebookTwitter or Instagram.

Occulmente was a commission for Friction Quartet, a string quartet based in the United States. It’s the first time she has attempted work for a classical group and she was nervous at first. “[The quartet] said ‘we like the challenge’,” she says. “That gave me the confidence to keep working on it.”

Friction Quartet

Friction Quartet Photo: Friction Quartet

Occulmente is one of three finalists for the SOUNZ Contemporary Award at this year’s Silver Scrolls. Works by Michael Norris and Leonie Holmes have also been selected for the top three.

More than 50 pieces by 37 composers were submitted for judging.

Langabeer nearly didn’t enter her piece. She thought the judges “would just laugh” at her, and she expected a “thank you for your entry” form letter, but instead she received a “congratulations” letter.

The other disadvantage was she only had a recording done on a cell phone, which had the beginning missing. “The odds weren’t in my favour,” she laughs. But it was the quality of the composition, not the recording the judges were listening for.