Tony Stamp

The Dunedin trio continue to produce 'dance music that's not afraid to be sad' on their third album.

The Portland musician's new album is an inviting mix of ambient and neo-classical, involving acoustic guitar; upright bass; cello; and clarinet, all of which he taught himself.

The always-candid LA-based expat processes pregnancy, heartache and ecological fears via expert, invigorating songcraft.

South Korean DJ Peggy Gou is phenomenally successful. Her social media feed can blur into a montage of beaches, restaurants, fashion shows, and adoring crowds.

The ex-pat neo-folk artist's name might serve as a warning, but his return after nine years is more bracingly original than scary.

The Muriwai-based singer-songwriter reflects on the inspirations and collaborations behind her new EP And the Clouds Came Undone.

The Pakistani singer's follow up to her breakthrough Vulture Prince is just as stately and serene, further establishing her as a fiercely unique artist.

The local duo generate enough noise to fill several stadiums, and fill their songs with a spooky type of myth-making.

The acerbic Scottish duo are in particularly good form, thirty years after their inception, on an album that takes aim at social media.

The award-nominated producer has worked with Avantdale Bowling Club and other hip-hop luminaries, and applied his psychedelic touch to numerous genres. On his latest, he delves back into rocksteady…