23 Oct 2020

Episode 1: The Story of Te Awe - He Wawata (An Aspiration)

From The Story of Te Awe, 6:00 am on 23 October 2020

Series Classification: G (General Programmes)

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Episode 1: The Story of Te Awe - He Wawata (An Aspiration)

Rolled whāriki (mats) in storage with new see through coverings.

Rolled whāriki (mats) in storage with new see through coverings. Photo: Tāmaki Paenga Hira / Auckland War Memorial Museum

Te Awe was a project designed to enrich, reorganise, and improve the care of our 10,000+ taonga Māori in a way that is embedded in Mātauranga Māori. Through this mahi Auckland Museum made the taonga Māori collection more visible and accessible to iwi, hāpu, whānau, museum staff, researchers, and the public.

The name of the project, Te Awe, refers to adornment, the additions that embellish taonga through ornamentation – the hair and feathers at the head of a taiaha (weapon) or heel of a toki (adze), the tags and tassels of kākahu (cloak). As with these acts of embellishment, our project seeks to uphold the mana of taonga in Auckland Museum by advancing our care of them, stabilising their forms, suitably re-housing them, and improving digital access to them through images and documentation. Through these actions, we adorn the taonga in our care.

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 Kate Blair, Te Awe Project Conservator stabilising a korowai (cloak). Photo: Tāmaki Paenga Hira / Auckland War Memorial Museum

One of the many discussions on poka (shaping) within the kaupapa (foundation) of a kaitaka paepaeroa (type of cloak).

One of the many discussions on poka (shaping) within the kaupapa (foundation) of a kaitaka paepaeroa (type of cloak). Photo: Tāmaki Paenga Hira / Auckland War Memorial Museum

Maureen Lander and Chanel Clarke embrace during the powhiri (welcome) to formally commence the project.

Maureen Lander and Chanel Clarke embrace during the powhiri (welcome) to formally commence the project. Photo: Tāmaki Paenga Hira / Auckland War Memorial Museum

Fine examples of tātua (belt), taniko (finger weaving) and tātua whakairo (patterned belt).

Fine examples of tātua (belt), taniko (finger weaving) and tātua whakairo (patterned belt). Photo: Tāmaki Paenga Hira / Auckland War Memorial Museum

Poka shaping on a kākahu (cloak).

Poka shaping on a kākahu (cloak). Photo: Tāmaki Paenga Hira / Auckland War Memorial Museum

Fine example of a korowai (cloak) with karure (twisted) thrums.

Fine example of a korowai (cloak) with karure (twisted) thrums. Photo: Tāmaki Paenga Hira / Auckland War Memorial Museum

L – R, Matekino Lawless, Awhina Tamarapa, Dr Maureen Lander and Rangi Te Kanawa examining a cloak.

L – R, Matekino Lawless, Awhina Tamarapa, Dr Maureen Lander and Rangi Te Kanawa examining a cloak. Photo: Tāmaki Paenga Hira / Auckland War Memorial Museum

Matekino Lawless using a magnifying glass to view the close weave.

Matekino Lawless using a magnifying glass to view the close weave. Photo: Tāmaki Paenga Hira / Auckland War Memorial Museum

Rangi Te Kanawa, Christina Wirihana and Awhina Tamarapa viewing kete and stability of packaging.

Rangi Te Kanawa, Christina Wirihana and Awhina Tamarapa viewing kete and stability of packaging. Photo: Tāmaki Paenga Hira / Auckland War Memorial Museum

Floating storage solution for kiwi kete muka (flax fibre bag).

Floating storage solution for kiwi kete muka (flax fibre bag). Photo: Tāmaki Paenga Hira / Auckland War Memorial Museum

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Tāmaki Paenga Hira / Auckland War Memorial Museum

Tāmaki Paenga Hira / Auckland War Memorial Museum Photo: Auckland War Memorial Museum

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