Transcript
JUNE MILLS: We want to help in whatever way we can. To me it's just a simple friendship mural, but the way that it's created such controversy within the community was not expected, put it that way.
AMELIA LANGFORD: How did it feel to see the mural painted over like that?
JM: Oh very upsetting. It was a beautiful, beautiful mural. it took a lot of hard work. People actually loved the mural. I don't know if you had an image of it, but people would come specifically to take a photo. Id joke about it with my mates, I'd say 'listen we really have to get a really good photo of this and turn it into a postcard saying 'greetings from Darwin',' you know. And that didn't actually eventuate, but this was a well-loved mural, but there was an element in Darwin that hated it and wanted it gone. And that's been going from the first day really, and they got their way.
AL: What would you like to see happen from here in this situation?
JM: Put up another mural! Repaint it.
AL: So you'd like to get the opportunity to repaint it?
JM: I don't believe that's going to happen, however, we certainly have plans to paint other murals. But the amazing thing is the incredible skulduggery that's come to the fore throughout this. i must admit I was caught by surprise a bit to the extent of it. But, you know, I suppose if we really pulled it to pieces the thing is that our community and myself are very concerned about the plight of the West Papuan people - that will never go away until something happens and they get their referendum and the call for independence or the violence stops in West Papua. There is incredible violence as we speak. Until that's resolved we are not going to stop bringing to the attention to the world community about the plight of the West Papuan people. And whether that's posters, whether that's murals, whether it's talks, whether it's forums we are going to continue.
That's Aboriginal elder and artist, June Mills, from Darwin in Australia's Northern Territory.
