Photo: needpix.com
The 12-bar blues is one of the most common chord progressions in jazz. This hour Nick checks out tunes which take the blues to some unusual places.
MUSIC DETAILS:
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Artist: |
Song: |
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Label: |
DUR: |
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1 |
Count Basie / Joe Williams |
Every Day I Have the Blues (extract) |
York |
Every Day I Have the Blues |
Roulette |
00:30 |
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2 |
McCoy Tyner |
Blues on the Corner |
Tyner |
The Real McCoy |
Blue Note |
05:58 |
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3 |
Miles Davis |
Eighty One |
Davis |
ESP |
Columbia |
06:16 |
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4 |
Ornette Coleman |
Blues Connotation |
Coleman |
This Is Our Music |
Atlantic |
05:17 |
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5 |
Monty Alexander |
Nite Mist Blues |
Jamal |
Montreux Alexander |
MPS |
10:09 |
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6 |
Cannonball Adderley Quintet |
Unit 7 |
Jones |
Nancy Wilson/Cannonball Adderley |
Capitol |
06:05 |
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7 |
Horace Silver |
The Jody Grind |
Silver |
Horace Silver Quintet Sextet |
Blue Note |
05:50 |
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8 |
Sumo Jazz |
That |
McCallum |
Shiko |
Rattle |
05:38 |
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9 |
Thelonious Monk Quartet & John Coltrane |
Blue Monk |
Monk |
Thelonious Monk: Live At Carnegie Hall |
Blue Note |
06:31 |
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10 |
Lester Young with the Oscar Peterson Trio |
Ad Lib Blues |
Young |
Lester Young with the Oscar Peterson Trio |
Verve |
05:59 |
