Peripheral Relations

Installation view of Peripheral Relations exhibition with Marcel Duchamp’s Boîte-en-valise (1961), cardboard, paper, wood, acetate film, ink, plaster, leather and glass assemblage (foreground), and clockwise from left: Hommage à Caissa (1966), exhibition poster; Marcel Duchamp, Chess Players (1965), etching; Julius Isaacs, Portrait of my Wife with Red Scarf (date unknown), and Betty Isaacs, Cat (date unknown), all items collection of Museum of New Zealand Te Papa Tongarewa, bequest of Judge Julius Isaacs. Photo: Robert Cross

Installation view of Peripheral Relations exhibition, clockwise from left: Bill Culbert, Rene’s Christmas tree, Café Regain (December 1980), gelatin silver print; Billy Apple, Towards the Centre, The Given as an Art-Political Statement (1980), black and white photographs and texts, 8 parts; Julian Dashper, Untitled 6 - 25 (1997), 400 35mm slides in 20 archival slide sheets; Marie Shannon, Leo's Sketchbook: Donald Judd, Aluminium Boxes (2002), digital inkjet print on watercolour paper; Billy Apple, Billy Apple Bleaching with Lady Clairol Instant Crème Whip November 1962 (1962), black and white photograph (from an original slide by Richard Smith); Adrian Hall, Check Piece (1971), 480 bank cheques, pen on printed paper; Giovanni Intra, 365 Days (1991), 365 gelatin silver prints; et al, Chair (1976), black and white photograph. Photo: Robert Cross

Maddie Leach, Chincoteague Skiff (2006-07), hand-made boat and plans, 5000 x 2030 x 900 mm. Private collection. Photo: Robert Cross.

Michael Parekowhai, My Sister, My Self (2006), fibreglass, mild steel, wood, automotive paint, 2700 x 1500 x 100 mm. Collection of Christchurch Art Gallery Te Puna o Waiwhetu, 2008/016, courtesy the artist and Michael Lett, Auckland.

Julia Morison, Relics (2011), silt, cement and cardboard, 9 parts, 120 x 170 x 90 mm each. Collection of the artist.

Paul Cullen, Notational Drawing 70.4 (1976), pen on paper, 350 x 340 mm. Collection of the artist.